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Photographing buildings and/or interiors in tight quarters can be unnerving, as any architectural photographer can tell you. In urban surroundings, there's usually a limit to how far you can back up before you bump into a wall, another building, or step dangerously into oncoming traffic.
Back in the day of shooting architecture with larger-format view cameras, wide-angle optics in the range of 47mm & 58mm bailed us out, and often with dramatic results. With the advent of quality full-frame DSLRs, the optical choices for shooting architecture and studio imagery requiring lens movements with wide-angle optics have been limited to 24mm which, while adequate for many applications, still doesn't cut it when shooting in tighter quarters.
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